{"id":25,"date":"2019-06-02T23:34:29","date_gmt":"2019-06-02T21:34:29","guid":{"rendered":"https:\/\/www.stephanvonhuene.de\/en\/?page_id=25"},"modified":"2019-06-30T19:59:09","modified_gmt":"2019-06-30T17:59:09","slug":"drawings","status":"publish","type":"page","link":"https:\/\/www.stephanvonhuene.de\/en\/drawings\/","title":{"rendered":"Drawings"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2″][vc_column][vc_column_text el_class=”absatz”]The medium of drawing was exploited by Stephan von Huene in manifold ways. Not only did he produce drawings throughout his life, but also taught draftsmanship. He would often close a letter with a signature drawing which showed a hand holding a pencil, which it used to trace out a curving line. Among draftsmen, he esteemed in particular Albrecht D\u00fcrer, Honor\u00e9 Daumier, and Gustave Dor\u00e9.[\/vc_column_text][vc_column_text el_class=”absatz”]Von Huene\u2019s \u0153uvre contains three wide-ranging cycles of drawings, beginning in 1964 with the Pasadena Ink Drawings<\/em>, which depict metamorphoses of humans, animals, and monsters. The occasional orchestration of the body accounts for the muted tone. The Pasadena Ink Drawings<\/em>, in each of which an isolated figure is delineated and then subdivided into its body parts, depict not turbulent scenes, but instead, in each case, a segmented body-landscape. The figures in the black Smoke Drawings<\/em> originate with the imprint of a finger or the heel of the hand, after which a stylus was used to circumscribe the contours.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n

1955 \u2013 1964<\/a><\/h4>\n

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Uncle Sam and the Statue of Liberty<\/a><\/h6>\n
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Ink Drawings<\/a><\/h6>\n
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Pasadena Pen Drawings<\/a><\/h6>\n
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Pasadena Pencil Drawings<\/a><\/h6>\n
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Pen Drawings<\/a><\/h6>\n
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Smoke Drawings<\/a><\/h6>\n
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1972 \u2013 1997<\/a><\/h4>\n

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Lithographs<\/a><\/h6>\n
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ZEIT Collages<\/a><\/h6>\n
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Mind Maps<\/a><\/h6>\n
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[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2″][vc_column][vc_column_text el_class=”absatz”]The medium of drawing was exploited by Stephan von Huene in manifold…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":5,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":1060,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/25\/revisions\/1060"}],"wp:attachment":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}