{"id":35,"date":"2019-06-02T23:37:33","date_gmt":"2019-06-02T21:37:33","guid":{"rendered":"https:\/\/www.stephanvonhuene.de\/en\/?page_id=35"},"modified":"2019-06-30T19:44:18","modified_gmt":"2019-06-30T17:44:18","slug":"1969-1983","status":"publish","type":"page","link":"https:\/\/www.stephanvonhuene.de\/en\/kinetic-and-sound-sculptures\/1969-1983\/","title":{"rendered":"1969 – 1983"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2″][vc_column][vc_column_text]During the 1970s, Stephan von Huene sculptures expanded into the surrounding space. Initially, this was achieved through the volume and intensity of the sounds (Totem Tones<\/em>, Glass Pipes<\/em>). At the same time, he reduced the material weight and visual presence of his works, working with minimalist forms which served primarily as supports for a technical instrumentarium. The works therefore advance visually toward the immateriality of the sounds they generate, which shift now toward the center of perceptual attention (Glass Pipes<\/em>, Drum I<\/em>).[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2″][vc_column][vc_column_text]Observable with Text Tones<\/em> (beginning 1979) is a shift from a mechanical object that generates sound to an instrument whose sonic production fills the space entirely; now, the beholder\/listener is incorporated into the work as an active participant. The metal pipes of the Text Tones<\/em> are equipped with microphones, and receive tones and sounds produced by visitors, modify them in computer-guided ways and render them audible. The attentive visitor is able to recognize these sounds and to consciously influence the sounds of the Text Tones<\/em>, hence communicating directly with the work (and with other visitors).[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz”][vc_column]

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Drum I<\/a><\/h6>\n
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<\/div>\n\t\t\t<\/div>\n <\/div>\n[\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz3″][vc_column]<\/span><\/a><\/span><\/a><\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2″][vc_column][vc_column_text]During the 1970s, Stephan von Huene sculptures expanded into the surrounding space. Initially,…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":19,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/35"}],"collection":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":7,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":1049,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/35\/revisions\/1049"}],"up":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}