{"id":47,"date":"2019-06-02T23:43:53","date_gmt":"2019-06-02T21:43:53","guid":{"rendered":"https:\/\/www.stephanvonhuene.de\/en\/?page_id=47"},"modified":"2025-02-27T23:58:10","modified_gmt":"2025-02-27T22:58:10","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.stephanvonhuene.de\/en\/stephan-von-huene\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”1295″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Barenboim-Said Akademie (Hrsg.)<\/h3>\n

Stephan von Huene, Lexichaos<\/h2>\n

Berlin: BSA<\/a>, 2021[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”1296″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Peter Weibel\/Philipp Ziegler (Hrsg.)<\/h3>\n

Stephan von Huene, What’s wrong with art?<\/h2>\n

M\u00fcnchen: Hirmer<\/a>, 2021[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”491″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Alexis Ruccius<\/h3>\n

Klangkunst als Embodiment
\nDie kinetischen Klangskulpturen Stephan von Huenes<\/h2>\n

Frankfurt am Main: Primat Verlag, 2019[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”492″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Jes\u00fas Mu\u00f1oz Morcillo<\/h3>\n

Elektronik als Sch\u00f6pfungswerkzeug
\nDie Kunsttechniken des Stephan von Huene (1932 \u2013 2000)<\/h2>\n

Bielefeld: transcript<\/a>, 2016[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”493″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Die gespaltene Zunge \/ Split Tongue
\nTexte & Interviews \/ Texts & Interviews<\/h2>\n

M\u00fcnchen: Hirmer Verlag<\/a>, 2016[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”494″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

The Song of the Line
\nDie Zeichnungen | The Drawings 1950 – 1999<\/h2>\n

Ausstellungskatalog im Verlag Hatje Cantz 2010[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”423″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Grenzg\u00e4nger, Grenzverschieber<\/h2>\n

Ausstellungskatalog, Hrsg: Barbara K\u00f6nches, Peter Weibel
\nZKM | Zentrum f\u00fcr Kunst und Medientechnologie<\/a>
\nKarlsruhe 2005[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”495″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Tune the World
\nDie Retrospektive \/ The Retrospective<\/h2>\n

Ausstellungskatalog im Verlag Hatje Cantz<\/p>\n

<\/h3>\n

Download der Katalogtexte incl. Bilbliografie
\nRetro_Kat_Texte.pdf<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”496″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

What’s Wrong with Culture?<\/h2>\n

Ausstellungskatalog im Verlag Hatje Cantz
\nNeues Museum Weserburg, Bremen 1998[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”497″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Tisch T\u00e4nzer<\/h2>\n

Monographie Reihe Cantz
\n1995[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”498″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

<\/h2>\n

Ausstellungskatalog, Louisiana D\u00e4nemark
\n1990\/91[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”499″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Lexichaos – Vom Verstehen des Mi\u00dfverstehens zum Mi\u00dfverstehen des Verst\u00e4ndlichen<\/h2>\n

Eine Klanginstallation im Kuppelsaal der Hamburger Kunsthalle
\nvom 8. Juni bis 8. Juli 1990,<\/p>\n

Ausstellungskatalog, Hamburg 1990[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”500″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text]<\/p>\n

Stephan von Huene<\/h3>\n

Klangskulpturen<\/h2>\n

Ausstellungskatalog, Kunsthalle Baden Baden
\nKestner Gesellschaft, Hannover, 1983[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text el_class=”absatz”]<\/p>\n

Weiterf\u00fchrende Literatur:<\/h2>\n

John Grayson (Hg.): Sound Sculpture<\/h3>\n

A collection of essays by artists surveying the techniques, applications and future directions of sound sculpture, Ausst.-Kat. Vancouver 1975
\nmonoskop.org<\/a>[\/vc_column_text][vc_column_text el_class=”absatz”]<\/p>\n

Yannis Hadjinicolaou: Die Aktualit\u00e4t der \u201aKritischen Kunstgeschichte\u2019 in Stephan von Huenes \u201eBlauen B\u00fcchern\u201c<\/h3>\n

in: kritische berichte, Heft 4, Jg. 42, Marburg 2014, S. 62\u201373[\/vc_column_text][vc_column_text el_class=”absatz”]<\/p>\n

Bildwelten des Wissens, Bild \u2013 Ton \u2013 Rhythmus<\/h3>\n

Kunsthistorisches Jahrbuch f\u00fcr Bildkritik,
\nBd. 10,2, Berlin\/Boston 2014[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text el_class=”absatz”]<\/p>\n

Werkkatalog<\/h3>\n

Hier k\u00f6nnen Sie das gesamte Werkverzeichnis Stephan von Huenes
\nals PDF-Datei herunter laden.
\nWerkverzeichnis_SvH_gesamt.pdf<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Katalogtexte<\/h3>\n

Download der Katalogtexte (Retrospective 2002\/03) incl. Bibliografie
\nRetro_Kat_Texte.pdf<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column el_class=”absatz3 spacer-top”]<\/span><\/a><\/span><\/a><\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” border_color=”#777777″ css_animation=”” el_class=”absatz2 spacer-top”][vc_column width=”1\/4″][vc_single_image image=”1295″ img_size=”full” add_caption=”yes” qode_css_animation=””][\/vc_column][vc_column width=”3\/4″ el_class=”indent-left”][vc_column_text] Barenboim-Said Akademie (Hrsg.)…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/47"}],"collection":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":14,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":93,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/47\/revisions\/93"}],"up":[{"embeddable":true,"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/www.stephanvonhuene.de\/en\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}